Pánta rheî
Eraclito
Ad Amsterdam un ‘set designer’ meraviglioso: Aldo Bakker, vi accoglierà al Rijksmuseum tra opere indimenticabili in ‘Metamorphoses’.
La mostra, aperta dal 6 February al 25 Maggio 2026, è imperdibile per come è curata, per la luce che inonda opere come macigni della storia dell’arte, per l’attualità del pensiero, non solo Ovidiano, ma anche contemporaneo.
In cui tutto transita e muta divenendo estemporaneo
Cambiamenti corporei, ego riflesso, vecchiaia, abbandono, fragilità, invidia, polimorfismo, dualità di genere e appartenenza.
Di questo e molto altro parla la rievocazione visiva – curata perfettamente – delle Metamorfosi di Ovidio
Artisti di varie epoche come Arcimboldo, Bernini, Tiziano, Correggio, Cellini, Caravaggio, Rubens, Rodin, Brancusi, parlano e descrivono in sculture, dipinti, video, le emozioni sottostanti al poema grandioso.
Ebbene oltre e più di 80 lavori – anzi capolavori – provengono dal Louvre da Galleria Borghese dall’MFA di Houston al Musée Jacquemart André di Parigi.
Passion and desire, lust and jealousy, cunning and deceit — few classical texts have stirred the imagination of artists as deeply as Ovid’s Metamorphoses.
In the eponymous exhibition artists as Bernini, Titian, Correggio, Cellini, Caravaggio, Rubens, Rodin, Brancusi, Magritte, and Bourgeois rival the imaginative power and artistic vision of one of Antiquity’s greatest poets.
Over 80 masterpieces will be brought together from museums and collections worldwide.
This exceptional exhibition has been developed through close collaboration between the Rijksmuseum in Amsterdam and Galleria Borghese in Rome.
The exhibition runs from 6 February to 25 May 2026 at the Rijksmuseum.
It will be presented – in a different configuration – at Galleria Borghese from 22 June to 20 September 2026.
HIGHLIGHTS
Metamorphoses brings together more than 80 highlights from international collections. The works include Bernini’s Sleeping Hermaphroditus from Musée du Louvre, Titian’s Danaë, painted for King Philip II of Spain; Tintoretto’s Minerva and Arachne; Correggio’s iconic Jupiter and Io, as well as Danaë (all painted for the Duke of Mantua); Caravaggio’s Narcissus; and Rodin’s marble Pygmalion and Galatea, presented alongside Gérôme’s painting of the subject.
Three of Arcimboldo’s composite, grotesque faces will also be on display. In addition, the life-size bronze Perseus with the Head of Medusa, made by the Dutch artist Hubert Gerhardt for the Duke of Bavaria, will be shown for the first time together with its model, the prototype for Cellini’s famous work of the same title.
The exhibition presents art from across the centuries in a variety of media, with painting, sculpture, precious metalwork and ceramics, as well as contemporary photography and video art.
BIBLE FOR ARTISTS
Very few texts from antiquity have inspired as many artists as Metamorphoses by the Roman poet Publius Ovidius Naso (Ovid, 43 BCE–17 CE). In this monumental epic, he described a world filled with transformations of gods and humans into animals, plants or stones. It is with good reason that, in his 1604 Schilder-boeck, Karel van Mander described the work as a ‘Bible for artists’.
This was by no means an exaggeration: after the Bible, Metamorphoses remained for centuries one of the most important and inexhaustible sources for painters, sculptors, engravers, composers, writers and poets. Its influence persists to this day.
METAMORPHOSES
‘All things change, but nothing dies’ is the message Ovid conveys in Metamorphoses, his narrative poem in which gods become animals, nymphs are transformed into trees, humans turn to stone, and stones become human. Many of the stories it contains explore interactions between gods and mortals, with love playing a major role – far from always with mutual consent. Violence and treachery also recur throughout the stories. The exhibition highlights the depiction of several iconic fables. They include the creation of the cosmos and the world from formless chaos; the story of the weaver Arachne, who is transformed by the jealous goddess Minerva into a spider to weave her webs for all eternity; and the affairs of Jupiter, the chief god, who repeatedly disguises himself – as a bull, a swan, in a shroud of mist, or as a shower of gold – to deceive his jealous wife Juno and his victims.
BOOK
Produced in partnership with Galleria Borghese and Hannibal Books, the exhibition catalogue will be available in three languages: Dutch, English and Italian. It discusses all the works in both exhibitions, and includes essays by Dutch and Italian specialists. Graphic design by Irma Boom Office.
EXHIBITION DESIGN
The designer of the exhibition at the Rijksmuseum is Aldo Bakker, who previously designed Small Wonders (2017) and Asian Bronze (2024) for the museum.
Metamorphoses is made possible in part by The Bennink Foundation, Blockbusterfonds, Rijksmuseum International Circle, Rijksmuseum Patrons and the Ministry of Education, Culture and Science.
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Cover photo, Juul Kraijer, Amsterdam Rijksmuseum/Albertine Dijkema
